Posts Tagged ‘Toronto’

Heartbreak Karaoke is back!

Tuesday, February 2nd, 2010

Was it the son of a preacher man? A devil in a blue dress?

Or just that guitar picker your daddy told you not to marry

(You know they ain’t no good and your babies will probably grow up to be cowboys, too.)

You obviously don’t listen – but now everyone else will, dammit.

WORN FASHION JOURNAL proudly presents

the 3rd Annual VALENTINE’S DAY HEARTBREAK KARAOKE

SUNDAY, FEBRUARY 14, 2010

don’t just feel the pain, spread it around.

We’ve got a microphone, sad, sad songs,

and enough bitter tears and sweet liquor to fill a swimming pool.

What else could you possibly need to mourn your latest romantic folly?

The hurtin’ happens at TERANGA, 159 Augusta Ave, Kensington Market

Doors open at 9 PM

Heartbreak at 9:01

Total emotional catharsis and hail a cab at 2 AM

$7 at the door, $5 if you’re wearing RED

Consider this your chance to dish it out instead of take it. You can thank us later.


Crushing on Kirsty McKenzie

Wednesday, December 30th, 2009


Kirsty McKenzie designs imaginative clothing, which has been shown at Toronto’s Alternative Fashion week and can be found on her etsy. She also creates one of a kind costumes, favored by many creative musicians and performance artists.

What did you dress like in high school?
High school was kind of a confused time…started out in vintage tees, baggy pants with boxers and life jacket belts… then took a weird preppy/ but raver-ish style blend… then kinda 70s ghetto fab in my last year, with Fawcet hair, fur coats and distressed bell bottoms.

What are the biggest differences when you design costumes as opposed to a regular collection?
When I design costumes I try to reflect the artist(s), or band’s character/ persona, and have a very specific individual in mind. Costumes can stand alone, and aren’t always harmonizing with a group of designs. Costumes are usually more free and fun, and although my collections are somewhat cheeky at times, I usually go for a more luxurious evening feel, but often with a dark twist.

Who do you imagine to be the typical person who wears your designs?
The customer can be a musician, an eccentric, or simply someone who wants some special pieces. I have seen/dealt with customers of all ages almost - from early 20s to 60! My biggest customer of the moment is 48 and lives in Florida, and I recently made my mom’s dress and jacket for my sister’s wedding. I can totally do some more “toned down” designs, but I personally don’t believe in “dressing one’s age”.

What were some of the major influences behind your most recent collection?
Grace Jones and Siouxsie Sioux… Japan, flowers, Gothic punk, romance…it was aptly named PARADISE POISON - dripping with flowers and gems, and licked with a poisoned tongue. Music was a huge influence, and I mixed the music for my show combining Grace Jones vocals from her new album, layered over an 80s Ministry industrial beat.

What was your last Halloween costume?
Psycho Clown Nurse (nurse costume with crazy clown makeup, bloody gloves and needles!)

Kirsty’s Top Ten Fashion Designers
Issey Miyake
Zandra Rhodes
Vivienne Westwood
ThreeASFOUR
Christian Lacroix
Christian Dior
Jean Paul Gaultier
Alexander McQueen
Comme des Garcons
Yohji Yamamoto


Don’t Get Between a Girl and Her Books!

Tuesday, December 22nd, 2009

A couple of days ago a friend of mine gave me some sad news: after more than 35 years of providing a strong feminist voice in Toronto, the Toronto Women’s Bookstore has fallen on hard times (I guess it’s been tough all around this winter!) and is putting out the call for donations. It’s more than just a fundraiser – they are in serious danger of having to close their doors.

As their mission statement says, the TWB is a “source for books on feminist and anti-racist theory, queer theory, transgender rights, disability studies, health, violence against women, and for writing by women of colour, First Nations women and Jewish women… and [carries] magazines, journals and zines that are otherwise hard to find.” We know this is true, because the TWB was supportive of our little mag right from the start, stocking WORN on its shelves from Issue 1.

If it wasn’t for small retailers, willing to take chances on lesser known names and first-time writers - if the bookstore landscape was entirely populated by Chapters’ and Indigo’s - how many creative voices would never be have the chance to speak? How many of your favourite writers and publications would disappear before you had the chance to discover them?

We know first-hand you’ve already been generous this season, but if you’ve got a couple of bucks to spare and are looking for a good cause – and especially if you’re a girl living in the city – WORN encourages you to support the Toronto Women’s Bookstore. It’s a non-profit that profits all of us.

Find out more at their website or make a donation here:

Toronto Women’s Bookstore

g.


Silkscreaming

Thursday, October 22nd, 2009

When my editor said she was sending me on an adventure, I have to admit, my first reaction was not excitement. I don’t know whether it was the way she emphatically punctuated her sentence with an exclamation point, or the fact that she met me outside the office, but my mind raced with all the possible situations for which “adventure” would simply be a euphemism.

Of course, like almost every situation in my life, my anxieties were for naught (honestly though, I really should get a prescription for some downers…). I ended up spending an afternoon at a tiny silkscreening studio in Parkdale being a pesky photographer and spectator. Jacob (the awesome artist who worked with us from Punchclock Printing Collective) and I exchanged a few casual niceties, and after a short time we both just did our own thing — he working quickly before the paint dried and me snapping pictures before the project was finished.

“I listen to weird music when I work,” he said without looking at me, focusing on the pink and blue pigments he was mixing. “I hope you don’t mind.”

To me it sounded like a mixture of screeching children and metal crashing, but I was not one to protest.

“No no, it’s cool. No worries,” I assured him.

The reason for my visit was to make sure that everything with our new tee-shirts went smoothly — er, have we mentioned tee-shirts yet? Designed by illustrator Chris Davenport, the tee-shirts are decidedly hard to describe — depicting a font that looks almost like human hair. They’ll be available for sale soon on our Etsy shop and at upcoming events like our Halloween Dance of the Living Dead. Also, and here’s the important part, they look great with a pair of jeans. And really, if I was a gambling woman, I’d be willing to bet that they could also double as sails should you ever find yourself stranded on the sea in an inflatable kayak you won at a work Christmas party. Just sayin’…

The other fun part of this adventure that I really wanted to share is when my editor casually mentioned that she would need me to choose the final colour. In preparation we had a discussion about purple — hues, shades, finishes, connotations even. I can say with confidence that Serah-Marie and I could now co-author Everything You Wanted To Know About Purple But Were Too Afraid To Ask. Eventually, I set off with the perfect shade of muted mauve in mind and the determination not to screw things up.



Oftentimes when a project is launched there is a great deal of waiting before the final product emerges. In this case I was lucky enough to show up on game day with the easiest job: show up, choose purple, watch someone else work. Halfway through the printing process the artist asked me if I wanted to stick around until everything was finished. At that point I had all the pictures I needed and only wanted to make arrangements for how the tee-shirts would make it to the office. When he told me that he could deliver that was all I needed to hear.

“I have to run,” I told him, “but I’ve got an adventure for you.”

-Carmen Vicente



Worn newsletter