Posts Tagged ‘fashion show’

Re-Collect

Wednesday, December 23rd, 2009

I made a special trip home for my small prairie town’s Blast from the Past Fashion Show. The event was put on by our local performing arts council, as a fundraiser for a festival they host every spring. When they sent out a call for both clothing and models, I was at once surprised and thrilled - the request was not only for clothing, but for the stories behind the clothing, too. They did not just want models, but models with some sort of connection to the clothes they would be wearing. The idea was that a granddaughter would walk down the runway in a blouse her great-grandmother made, or a niece would wear a dress from her aunt’s wedding in the seventies. The clothing was important, but equally important were the lives the clothes had led.

The weekend before the show, I had come from university to my tiny prairie hometown for a visit. That Sunday afternoon, my delightful seventy-something-year-old neighbour came over to deliver some food (as per always) and discuss the development of the show. She had donated some clothing and was excited about the prospect of it being worn again, so many years later.

“We’re supposed to wear hats,” she reported, “Come over next weekend and I’ll let you wear one of mine.” I may have let out a little squeal of excitement, and the prospect of vintage fashion in tiny St. Michael made my neighbour just as happy. As she left, after an hour of talking about pillbox hats and wedding shoes, she called from the doorway, “It’ll be more fun than a picnic!” I haven’t been to many picnics in my life, but now that the show is over I can tell you she was absolutely right.

When I arrived at the show on Sunday afternoon, hat firmly on my head, the place was abuzz with ladies and tea. Everyone was chatting or marveling over the displays of clothing, shoes and accessories that didn’t make it onto the runway.

Organized by decade, the program started with pieces as old as 1920 and worked its way into the seventies. The grand finale was a display of wedding dresses from the same span of years, the highlight of which was a woman who modeled her very own gown from 1952. With every few pieces came a story about where the piece was from – who it belonged to, where it was worn, who was wearing it now.

In a community where fashion rarely differs from the jeans-and-tee-shirts norm, this appreciation for clothing from the past surprised me – though only momentarily. The audience was full of the women who would have worn this clothing the first time around, the Red Hat society filled a table or two, and they needed a whole bus to bring residents from the seniors centre. Who would enjoy the stories behind vintage clothing more than the people the stories belonged to in the first place? But whether you were old enough to have lived through these periods or not, you understood every item of clothing was connected to a person, an event, a life.

Growing up, it never seemed as though my fellow small town inhabitants shared my love for thrift store treasures and clothing dug out of the back of my grandmother’s closet – but after everyone’s enthusiasm for Blast from the Past (old and young and in-between), it’s possible I’ve been wrong all along.

-Hailey Siracky


At night I dream of Viktor and Rolf

Wednesday, November 4th, 2009

We almost never do this at WORN, but Viktor and Rolf’s Spring 2010 collection was just so so so amazing, I can’t help it. The mix of peach, coral, and turquoise with harsh black lines and hints of structured menswear tailoring with billowing bias just blew my mind. Have I mentioned the gravity-defying tulle? I can’t stop watching the video - every time a model turns the corner and you’re hit with this wall of cross-sectioned tulle, my heart beats a little faster. What do you think?
hearts, Serah-Marie



sweaters and leathers

Monday, October 26th, 2009

I got a call from my friend Lara while at work on Wednesday saying she had an extra ticket to Montreal Fashion Week. After closing the store and throwing together an outfit I hopped on my bike and gunned it down to the Old Port to catch two collections: the nautical-inspired romantic looks of Eve Gravel and the jackets and coats of Soia & Kyo.

I loved Eve Gravel’s combination of harem khakis and loose tops with girlie details like lace, sheer fabrics, and some of the models’ flouncy long curls. The relaxed pant styles were very wearable and came across as incredibly stylish in contrast to just about every fit and fabric of pants you see on the street. Standouts for me in this collection were the mid-thigh length shorts in black khaki paired with a baggy off-the-shoulder sweater and the leather zip-up bodysuit worn with low-rise khakis and exposed hips. I definitely could have done without the seventies hipster cord headbands since they’re such a played out touchstone at this point, but the rest of the styling was well done.

I was a bit less wowed by Soia & Kyo’s collection of jackets, which included some very covetable takes on the classic leather jacket in colours like black, purple, grey, and orange. They featured nice details like oversized studs and belts and looked great worn over babydoll dresses, though at times the undergarments outshone the jackets themselves, like in the case of an amazing pair of sheer beige harem pants. The trench coats were incredibly boring and the feathered flower hairpieces brought the whole collection down, along with Keds sneakers that made the models walk really awkwardly. But I appreciated some of the other accessories like knee-high leather boots, white socks with heels, and a few pairs of cute fingerless leather motorcycle gloves.

- text by Tessa Smith, photos by Lara Kaluza and Tessa Smith


Fashion goes POP!

Monday, September 28th, 2009

So, I’m sad to be missing the David Livingstone talk at the Bata Shoe Museum on Wednesday, but I’ll be judging Fashion POP. I’m pretty excited for my second year as the Michael Kors of the Montreal fashion crowd. It’s going to be hard to choose from six handpicked up-and-coming fashion designers, each presenting a six-look mini-collection. (See our little preview down below! Who do you want to win?) The winner gets $1000, as well as a $500 gift certificate from Le Château and a feature in our very own publication. The event is free and open to the public, Wednesday, September 30th, 8PM (doors at 7) Espace Reunion (6600 Hutchinson Street). Come early for a good spot!

WORN also has a table at Puces POP Oct. 3rd & 4th, 11am - 7pm at St. Michel Church Hall (105 St-Viateur O). Come say hi!
hearts, Serah-Marie

girlfriend material by Charlotte Eedson
AU COURANT, LADYLIKE, SENSIBLE, REBELLIOUS, ROCKER

If your line were to have a muse, who would it be?
Cat Power!

What fabrics do you like to work with?
Cotton, but I’m a big fan of the planet so I will work with anything sustainable, discarded, etc. Reduce, Reuse, Recycle.

What tools are you using to make your line?
A sewing machine my parents bought me at Sears, my trusty thread stand and PMA (positive mental attitude)!

How did you learn how to make clothes?

How did I learn to make clothes well? A tailoring course and a teacher named Tonia Weber, bless her heart (and patience!).

Who is your favourite Canadian fashion designer?

That’s a toss-up! Erdem dresses, Jeremy Laing basics, and Dace weekend wear!

*

Le Chat Clothing by Flavie Lechat
youth, childishness, monsters, pyjamas, comfort, psychiatry

If your line were to have a muse, who would it be?
Emily Haines (the singer from Metric).

What fabrics do you like to work with?
Mostly silk voile and very light wool. I used to have this huge passion for fleece, but I’m trying to discover other materials and move toward higher qualities of fabrics.

What tools are you using to make your line?
A plain stitch machine and a serger, a mannequin, scissors and needles.

How did you learn how to make clothes?

My mother taught me at the age of eight and I have never stopped since. I don’t think I’ve spent a day without touching my machine since that time.

Who is your favourite Canadian fashion designer?
I love LIFETIME Collective brand from Vancouver!

Betina Lou by Marie-Eve Emond
feminine, pretty, timeless, fitted, chic

If your line were to have a muse, who would it be?
Audrey Hepburn.

What fabrics do you like to work with?
Finding nice fabrics and trimmings is one of my favourite parts! I like to work with natural fabrics (wool, cotton, silk, linen, and blends of these fibres) and sustainable fabrics (organic cotton and bamboo). I prefer solid fabrics, without prints or patterns. I do like some subtle and classic patterns such as stripes, mini-plaid, mini-herringbone, or mini-houndstooth. I try to find fabrics that can last for more than a few weeks (I think it’s worth paying a little bit more for quality).

What tools are you using to make your line?
Even though I have an industrial sewing machine, I still sew most of the time with a Kenmore machine that my grandmother gave me when I was 14 years old. I work closely with my size 2 mannequin dress form. Other than that, I need music, plants, daylight, and my laptop.

How did you learn how to make clothes?
I learned how to sew by hand with scraps of fabric that my grandmother would give me when I was a child. She eventually taught me how to use a sewing machine. I started designing clothes for myself when I was a teenager and tried to make my own patterns. Then, I got a job as an assistant costume maker at age 16. I finally went to LaSalle College and studied fashion design.

Who is your favourite Canadian fashion designer?
Pink Tartan

Contradict by Rachel Chan
futuristic, structure, strong, sleek, flowy

If your line were to have a muse, who would it be?
Lara Stone.

What fabrics do you like to work with?

Silk chiffon, PVC, any jersey, satin, and silk charmeuse.

What tools are you using to make your line?
A sewing machine, an overlock machine, a serger, boning, shoulder pads, and an iron.

How did you learn how to make clothes?
High school and Lasalle College

Who is your favourite Canadian fashion designer?
Travis Taddeo

La Fête by Emily Brunet
graphic, elegant, stark, unisex, recreation

If your line were to have a muse, who would it be?
Cary Tauben.

What fabrics do you like to work with?
All types of silk. Silk is the king of fabrics.

What tools are you using to make your line?
My grandmother’s sewing machine and patience.

How did you learn how to make clothes?
I was living in Spain and this Swiss girl Ophélie taught me the basics. The rest I taught myself.

Who is your favourite Canadian fashion designer?
Denis Gagnon.

Norwegian Wood by Angie Johnson
layered, modern, excessive, edgy, dark


If your line were to have a muse, who would it be?
If Patti Smith actually cared about fashion I like to think she’d wear a few of the things in this collection.

What fabrics do you like to work with?
I actually really enjoy working with almost any fabric, but some of the highlights in this collection are: scalloped lace, double sided jersey, yarn dyed plaid, satin, chiffon, sheer jersey mesh, elastics, and fringe.

What tools are you using to make your line?
My trusty sewing machine, serger, and my own two hands!

How did you learn how to make clothes?
It all started when my mom taught me to embroider at age six, and has never stopped since. I credit most of my ability to my mom, many many books, and lots of practice. I also went to university to study clothing and textiles, but the “learning how to make clothes” part of things was pretty much taken care of before I got there.

Who is your favourite Canadian fashion designer?
Jeremy Laing

So that’s all the ladies - who are you rooting for to win?



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