Of Sexiness and Superheroes

How can Catwoman kick ass in stilettos? A panel of experts weighs in

Every costume we wear makes a statement about ourselves. There’s no escape from that fact; as fashion illustrator Maurice Vellekoop put it, “even a plain t-shirt and jeans says, ‘I’m not that interested in this “fashion” thing.’”

Vellekoop was participating in a Toronto Comic Arts Festival panel called “Fashion!” I attended earlier this spring. Moderated by Krystle Tabujara, the panel featured speakers with a variety of perspectives on drawn style, from historical cartoons to superhero comics, and couture illustration to fashion journalism. They sought to answer the age-old question that has plagued man since the dawn of time (or at least since Superman first came down from Krypton): when it comes to comics, do clothes matter?

In comics, clothes inform character. They can do the obvious, like helping the reader tell characters apart on the page, but they also enhance the plausibility of the character. Cartoonist Ramon Perez argues that costume design for science fiction and fantasy is all about functionality. Every piece of an outfit needs to have a reason to be there. When he started drawing Wolverine, he got rid of some weird stripes on the character’s upper arms (“what were they, tricep armour?”) and pared down his uniform.

A similar commonsense approach would definitely benefit many of the female characters in superhero comics. Fashion journalist Nathalie Atkinson waxed nostalgic about a glorious period in Catwoman’s story arc where a new artist put her in lug tread boots she “could actually kick ass in,” instead of the impractical stiletto heels she had previously worn, and—at the pen of a new artist—has returned to.

An upside to the pervasiveness of hyper-sexualized outfits assigned to female superheroes is that they make room in the world for some fantastic parody. One of my favourite Canadian comic artists, Haligonian Kate Beaton, has produced some wonderful work on this topic. The Adventures of Sexy Batman is a great place to start. Beaton has also come up with female superhero trio Strong Female Characters in collaboration with two other illustrators, Carly Monardo and Meredith Gran.

Another great example of parody is the satirical Tumblr The Hawkeye Initiative, which gives readers a chance to turn the gender stereotype upside down by submitting their own illustrations. The site compiles feminist fan-art in which male Avengers character Hawkeye is drawn in the same ridiculous outfits and poses female comic book characters are usually depicted in. In doing so, The Hawkeye Initiative offers a clear window into the sheer volume of outlandish streetwear that exists for women in the superhero comic universe.

If the female superheroes on these pages are really able to perform feats of acrobatics wearing stilettos, then they deserve our admiration. The agility and hamstring strength required alone would top that of any male character. As cartoonist Bob Thaves wrote in a 1982 strip, “Sure [Fred Astaire] was great, but don’t forget that Ginger Rogers did everything he did, backwards… and in high heels.” So, theoretically these superwomen might be able to parkour across rooftops wearing hot-shorts. But why should they have to? Wouldn’t they be more effective crimefighters (or supervillains!) wearing something a little more practical? The new outfits wouldn’t even have to be unattractive: a middle ground does exist between “leather bikini” and “burlap sack”. Plus, the image of a strong lady kicking ass and taking names is always going to be attractive in and of itself, regardless of what she’s wearing.

The Fashion in Comics panel at TCAF 2013 was moderated by Krystle Tabujara and featured Nathalie Atkinson (fashion journalist, The National Post), Willow Dawson (No Girls Allowed), Kagan McLeod (fashion illustrator, Infinite Kung Fu) Bryan Lee O’Malley (Scott Pilgrim), Ramon Perez (Wolverine & The X-Men), and Maurice Vellekoop (fashion illustrator). You can watch a taped version of the thought-provoking discussion on YouTube here.

further reading // The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines by Mike Madrid // Exterminating Angel Press // 2009

Of Makeup and X-Men: The Mystique of Gordon Smith

Sixty year old Gordon Smith looks like an ordinary aging man; he is tall and thin, his hair and beard long since faded to white. Yet anyone who knows superheroes, or makeup for that matter, knows Smith is so much more than he appears to be. A Canadian legend, Gordon Smith is the makeup master that brought the fictional characters of X-men to life.

The X-men Master: Gordon Smith exhibition at the TIFF Bell Lightbox takes up the near-impossible task of doing Smith’s special effects makeup justice. The exhibit showcases designs from seven X-men characters, “making of”-style videos and legendary items from Smith’s personal collection.

Entering the exhibition centre, a small room filled with glass cases and sketch-lined walls, the most visible piece is, of course, Smith’s famed makeup chair. A minty green leather, with stains, rips, and creases. This is the legendary chair in which Rebecca Romijn became Mystique after 10 hours of labour and makeup. It is the chair that held Hugh Jackman and Tyler Mane as they became bigger, hairier, and scarier; when they finally stood up, they were transformed from men into Wolverine and Sabretooth. Celebrities sat down in it one by one, and almost magically, they became more than just actors; they became living, breathing comic book characters.
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