Playing Fashion Detective: Chronicling a Vintage Garment

Look carefully just below the ad text and you’ll see the Woolmark®. When Pendleton created this ad in the fall of 1964, the Woolmark was very new, having been launched that year. Knowing about this symbol can come in handy when trying to figure out when that tweed jacket you picked up at the local Goodwill was actually made. A vintage friend was telling about a jacket she had. She was pretty well convinced that it was from the 1940s – until she found a little Woolmark tag. Knowing that the symbol did not exist in the ’40s led her to the conclusion that her jacket was a very good 1970s representation of 1940s style.

Woolmark is not a brand label; it is a label originally issued by the International Wool Secretariat to identify various quality wool products. The mark was designed by an Italian graphic artist, Francesco Saroglia, and was first used in 1964 to indicate that the garment is made from 100% pure new wool. It can be found on garments from Australia, the US, most of Europe and Japan.

I poked through some vintage 1964 magazines while thinking about what could have led to the creation of this mark. For some time, chemical companies like DuPont had been working to develop new synthetic fibers. By 1964, DuPont’s Dacron® and Orlon®, American Cyanamid’s Creslan®, Fiber Industries’ Celanese® and Kodak’s Kodel® were all major players in the fibers industry, as well as major advertisers in fashion magazines. It goes to reason that it must have been a time of panic for the manufacturers of natural fiber products. I’m guessing that the Woolmark was the wool industry’s way of trying to “brand” itself to better compete with the synthetics. Pendleton was one of the first US companies to use the Woolmark, and they even put it on their label. It’s a handy shorthand for indentifying a Pendleton product as being from 1964 or later.

photography by Amanda Legare

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Shopping Under the Influence

There are two things l love in this world: pretty clothes and bangin’ parties. Any combo of the two will completely convince me that while shopping and drinking is a dangerous combo wallet-wise, it’s also a very clever way to promote a space, as proven by the Vintage 69 Housewarming Party.

My roomie Adam and I start getting ready like we would for any party: getting dressed up, changing eight times each, and sipping some bourbon while we fluff our hair. Already it’s more exciting than a regular vintage outing, which, for me, is generally a happenstance occasion when I am wandering aimlessly around the neighborhood. We discuss what would be the best time to get there, and the possible consequences of our equally dire financial situations, just like we’d do before any other party.

We get there pretty early and already the place is full of fashionable revelers snapping photos of each other. It really does feel like a house party: there’s beer, crackers and cheese, and a DJ to set the scene. The abundance of gorgeous and unique items is great for the party atmosphere, since there are conversation pieces everywhere. For example, one new friend explains the purchase of a doll’s head toilet paper cover, which was currently being used as a beer cozy, as “the sort of thing you’d only buy under the influence.”

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