Make a Peter Pan Collar in Eight Easy Steps

Peter Pan collars are too charming. Maybe it’s because they remind me of my little girl clothes of the past, or even because they are named after a boy who can fly and is friends with fairies. Regardless, I have never been able to walk away with my credit card in tact once I spot one. With tuition and rent bills filling my mailbox, however, I have learned to put down the hanger, and leave the store Peter-Pan-less. My indulgent behaviour in check, I came up with a more practical approach to achieving this darling look. Borrowing tips and tricks from various do-it-yourself guides (and after a few interrogations of my fashion design friends), I came up with my own recipe for adding a little Peter to any garment. Professionals please keep in mind that this is a girl with little garment-making know-how, describing to like-minded folk, the simplest way (in her eyes) to achieve a DIY collar.

Materials: Fabric for collar, interfacing, thread, paper, pencil, fabric scissors, an iron

Step 1: Trace the Neckline of the garment that you wish to Peter-ize. For this I used just a regular blank piece of paper and pencil. I stuck the paper inside the dress and aligned it with the shoulder seams, then I traced away. This will give you the neckline on the front of the dress. Repeat with the back of the dress so that you have the shape of both the front and back. Once you have both front and back necklines, cut and paste them together so that you have an oval-like shape. You now have a starting place!

Step 2: Using your imaginary neckline for size, do a rough sketch of what you want the collar to look like, on another blank sheet of paper. For this part I drew a few different variations, cut each out, and tried them on the dress to see which size I liked best. There is nothing worse then getting to the end stretch and realizing you dont like the size. Once you have a shape you like, in the words of Joey Gladstone, “Cut it out!”

Step 3: Now is the exciting part, or if you’re like me, the nerve-wracking part. Pin your pattern to the fabric and cut! Okay. Before you do this, take a deep breath and remember one crucial thing: leave a seam allowance (this means leave about an inch or inch and a half of fabric around both the outside and inside of your pattern, so you have a little something to work with). Before removing the paper pattern though, I like to just dot around the pattern itself onto the actual fabric, so that I have a perfect guideline of where I need to be sewing. Repeat this step on both your fabric that you chose for your collar, and the interfacing.
Continue reading

Fashion goes POP!

So, I’m sad to be missing the David Livingstone talk at the Bata Shoe Museum on Wednesday, but I’ll be judging Fashion POP. I’m pretty excited for my second year as the Michael Kors of the Montreal fashion crowd. It’s going to be hard to choose from six handpicked up-and-coming fashion designers, each presenting a six-look mini-collection. (See our little preview down below! Who do you want to win?) The winner gets $1000, as well as a $500 gift certificate from Le Château and a feature in our very own publication. The event is free and open to the public, Wednesday, September 30th, 8PM (doors at 7) Espace Reunion (6600 Hutchinson Street). Come early for a good spot!

WORN also has a table at Puces POP Oct. 3rd & 4th, 11am – 7pm at St. Michel Church Hall (105 St-Viateur O). Come say hi!
hearts, Serah-Marie

girlfriend material by Charlotte Eedson
AU COURANT, LADYLIKE, SENSIBLE, REBELLIOUS, ROCKER

If your line were to have a muse, who would it be?
Cat Power!

What fabrics do you like to work with?
Cotton, but I’m a big fan of the planet so I will work with anything sustainable, discarded, etc. Reduce, Reuse, Recycle.

What tools are you using to make your line?
A sewing machine my parents bought me at Sears, my trusty thread stand and PMA (positive mental attitude)!

How did you learn how to make clothes?

How did I learn to make clothes well? A tailoring course and a teacher named Tonia Weber, bless her heart (and patience!).

Who is your favourite Canadian fashion designer?

That’s a toss-up! Erdem dresses, Jeremy Laing basics, and Dace weekend wear!

*

Le Chat Clothing by Flavie Lechat
youth, childishness, monsters, pyjamas, comfort, psychiatry

If your line were to have a muse, who would it be?
Emily Haines (the singer from Metric).

What fabrics do you like to work with?
Mostly silk voile and very light wool. I used to have this huge passion for fleece, but I’m trying to discover other materials and move toward higher qualities of fabrics.

What tools are you using to make your line?
A plain stitch machine and a serger, a mannequin, scissors and needles.

How did you learn how to make clothes?

My mother taught me at the age of eight and I have never stopped since. I don’t think I’ve spent a day without touching my machine since that time.

Who is your favourite Canadian fashion designer?
I love LIFETIME Collective brand from Vancouver! Continue reading