Wake Me Up Before You Go Go

Wornettes reminisce about the triumphs and tears of their night at the prom

Should your streaked mascara match your shoes?

I dragged myself to prom, dressed up like a doll with a broken heart in hand instead of a clutch purse. The boy that I was convinced to be my soulmate had just broken up with me. As in, the day before.

I was absolutely devastated. My life was over. How could I even begin to think about manicures and hairspray? (In retrospect this meltdown is faintly humorous, considering just a few months later I came out as a loud and proud member of the queer community… but I didn’t know that then.) From start to finish, the “fun” day of preparation my mom and I had once been thrilled about melted into a puddle at my feet. Filled with the choking back of tears and the correcting of smudged-off makeup, hairstylists and photographers shook their head in pity. The only reason I can be seen smiling in any photos at all that day is because I had momentarily convinced myself (and him) that we were getting back together. Thanks to this clever emotional manipulation, my fake lashes and glittery pink blush stayed perfectly intact that night… until my dreams of romance were shattered the next day by his “I’m so over it” response.

Years after prom, most people regret their bridal-style dresses, their bedazzled shoes, their hilarious but trendy-at-the-time makeup and hair choices. I don’t have those feelings: I still admire my combination of turquoise and baby pink, my glittery silver shoes, my oversize bow-topped cocktail dress, and my matching heart-shaped glasses. I looked different from every other girl at my prom, and I’m proud my undeveloped self had the guts to do that. The only regret I have is that I let some teenage boy dim my sparkle. // Alyssa Garrison

Pretty in Pink and Blue and Teal and Sparkles

I couldn’t find a full-length photo of the dress I wore to prom; only this cropped, cut-up one, which shows most of my torso. Believe me when I say this dress was extremely out of character for me—it was floor-length, as multicoloured as a dream coat, and covered in beads and sequins with a hot pink halter top. I favour black, white, neutrals, and minimal designs overall; I’m not sure what came over me when I bought it.

Actually, no, I know exactly what came over me. As a teenager, I was obsessed with what other people did and thought. I never saw a cool girl in the hallway without wanting to do or wear whatever she was doing or wearing, which led to some pretty horrible outfits. I wore lace-up Parasuco jeans, glittery pink babydoll tees, Uggs—if a “cool girl” wore it you could bet I used all my minimum-wage paycheque to buy it. You can imagine my disappointment when the cool girls showed up to prom wearing matching short, pastel-coloured dresses.

I think we all eventually settle into the style we’re meant to have. For me, my prom dress was not the last time I bought something because I thought it would help me blend in, and it definitely is not the worst example, but there’s something about it in particular that makes me pause. Looking at this photo reminded me of how long it took for me to figure out what I liked, what I looked best in, which dresses for important occasions would make me happy. Anyway, I know better than to plan on forgetting. To quote everyone’s favourite writer, Joan Didion, “I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends”—and I would add, demanding to know: who let them wear that dress outside the house. // Haley Mlotek

A night to remember, a night to forget

I’ve always loved proms. I had been planning mine, from my date (Landon, purple hair) to my dress (black and red, leather wristband), since I was 10. When I was in Grade 11, I decided I had waited long enough and hooked myself up with two tickets for myself and my beautiful best friend, Stas. I was a hippie in pastels those days, and my ensemble was a light pink sparkly dress and pastel green cardigan with fire engine-red hair. Stas came straight from his landscaping gig in a tan, a pair of bright blue pants, and a seventies vest, and we had an amazing time dancing the night away with our friends at what ended up being a dud of a prom. Still, I’m glad I went before senior year, because there was no pressure that this had to be a night to culminate our high school careers. We just enjoyed each other’s company and looked ridiculous.

My next prom was serious business. Because I was hung up on my body, I wore a flattering, pretty black dress and cool black headband, but when one of my best friends showed up wearing the poufy, yellow, vintage dress I wished I had worn, I immediately regretted my choice. Some of my other best friends got kicked out before even entering after being caught with alcohol, but the rest of us stayed to dance. The night was technically a success, though not particularly memorable. I had gotten my prom-mania out of my system the first time around. // Anna Cunningham

Wornlings that go to prom together, stay together

As are most things that Alexandra and I do in our lives, prom dress shopping was done together. I had a very simple plan—or so I thought—of finding the dress of my dreams online, going in-store, trying it on, and falling in love with it in person. But alas, trouble ensued when I spotted another dress. I decided that it was my prerogative to change my mind and switched one dress for another, only to immediately regret it. The trouble with buying one’s prom dress in March when prom isn’t until June is the plethora of gowns that can cause many a nervous breakdown and glittery perspiration in the meantime—kind of like a season of The Bachelorette (so I’ve heard). In the lead-up to prom, I ended up exchanging my dress a second time and going with my first pick. I know I ended up making the right choice. I think. // Stephanie Chunoo

I had a very distinct reference point for my prom look: Marilyn Monroe in The Seven Year Itch (subway grate not included). I wanted a breezy halter dress that went just past my knees in a demure midnight blue. What I got instead was a long, fuchsia-coloured gown with lace cut-outs. Pretty much the diametric opposite of what I initially planned, to no surprise, thanks to Steph. She picked the dress out and knew that I had to try it on. Despite thinking that it looked like a doily my grandmother uses under her flowerpots, I reluctantly tried it on and fell in love. It was a pure Say Yes to the Dress moment minus the fussy mother-in-laws and “jacking up.” It has become one of my most treasured items of clothing, and as cliché as it is, I’m glad I listened to Steph. // Alexandra Chronopoulos

Diamond Dogs

For me, 2007 was the year of graduating high school, choosing universities, the year of figuring out what it is exactly you want to do with your life. But mostly it was the year of choosing that perfect prom outfit. Both my parents never went to their prom. Their crowd was a mixture of punks and hippies when they graduated, so they believed that prom was uncool and no fun. I, on the other hand, had been seduced by the prom experiences of the Gilmore Girls and Sabrina the Teenage Witch. I just had to experience the dancing, the romance, and the dress.

Neither my prom dress nor my shoes were the most important item for me to feature. What I wanted was to have an amazing hat. Hats were my favorite piece of clothing in high school. I would wear bowler hats, fascinators, and occasionally even a teacup on my head. I knew that I needed to have the best hat imaginable, so I took inspiration from my favorite artist at the time, Jeff Koons. I had been in love with his balloon dog sculptures and wanted to recreate that on my head. I researched how to make a balloon dog, I followed all the steps, and voila. I was so pleased with myself for learning this trick.

I decided I wanted it to last well after prom was over so I covered it in paper maché. After it dried I bought cheap CDs from the dollar store and cut them into small squares. I glued them onto the paper maché dog, transforming it into a disco dog. After everything dried, I glued it to a headband, put on my pink dress, and to bring the whole outfit together I wrapped a string of faux pearls around a pair of safety scissors and wore them around my neck. The process of preparing for the prom felt like the most important part of the whole event, and I will always look back on it and smile because I had so much fun and have no regrets. // Eliza Trent-Rennick

Girls with the most cake

I wasn’t even sure that I was even going to go to my prom until about the month before. I was very much not into doing established high school events. But all of my friends were going, and I eventually gave in. I went to The Big City with my best friend and my step-mom, and we just trolled the mall for HOURS trying to find something that a) fit me and b) wasn’t terrifying. Everything was very floofy and pink and sequined… and not me at all. I wound up at this old lady store (name since forgotten) and found a slinky black gown on the sale shelf. It had black beading on the neckline and straps, and culminated in a mini train. I added jewelry the colour of blood, because rebel. It was also my first experience with foundation garments, which wasn’t as bad as I thought it would be. I was definitely not the best-dressed person there, though—my friend Sarah made an entire gown out of duct tape, turned it red with permanent marker, and made a bag to match. She looked incredible.

In the end, the whole thing was pretty much not a big deal for me. I worked most of the day, then I think I got a haircut, and as you can see, I did not bother to get it styled or anything. I just went home and got dressed and then met my friends. It turned out that my level of effort was the exact right level of effort to put in, because the event itself was TERRIBLE. My friends and I cut out early, bought cake, and hung out down at the lake until like 4:00 a.m.—altogether a much better use of our time, and definitely a much better memory. // Megan Patterson

Geek to chic in one fell swoop

The dress I wore to my high school prom was uncharacteristically feminine. It was all layers of soft tulle and sweet ribbons, which transformed me from an awkward mathlete metalhead into a ballerina fairy princess. When I look back at the photos, it is painfully obvious to me that this dress did not fit, especially in the area where breasts are supposed to be. I had to secure the strapless bodice to my skin with double sided tape, which left nasty marks on my back. My fantastic mother ensured the dress was perfectly accessorized, but I didn’t think being perfectly accessorized was cool, so I smuggled a beat-up, vintage black purse out the door to replace the pink satin one she had bought me. I also brought to prom my nasty habit of never wearing shoes ever and carried my silvery-pink heels around for most of the night. // Brianne Burnell

Make way for Prince Ali

Prom was not a big deal for me. High school was something to survive and move past, not an era to commemorate. I broke up with the first guy I ever dated a month before, so I didn’t even get to invite him and make a gay rights stand against my school’s homophobic bullies.

If I had had the sartorial bravery I have now I would have worn something crazy, like a fuchsia Nehru jacket or something. (Who am I kidding? I would have difficulty wearing that now.) Instead, I rented a tux. Looking back, I’m jealous of my girlfriends who bought prom dresses—when you rent a garment, especially something as standard as a tuxedo, you feel an unavoidable distance towards it. At least I knew how to wear it. The friend I took to try it on pointed out many guys there that didn’t remember to tuck in the shirt.

The best part of prom was the getting ready. My friends and I got all into it, posing for pictures with our moms and singing along to the car radio as we picked people up. The actual event was a dull letdown. Nothing happened. The DJ played ‘A Whole New World’ from Aladdin. We stared blankly. We had played dress up, but our formal clothes couldn’t make the night significant. // Max Mosher

Cinderella’s mice need not apply

At the beginning of my final year of high school, my mom and I stumbled upon a clearance of shimmery, floor-length skirts at a bridal shop in the mall. After much debate between the many colours, I set my heart upon the wine coloured one and began my matching mission. I dedicated my lunch hour every Tuesday and Thursday (since every other one was spent in choir rehearsals) to sewing in the home ec room alone and managed to produce an entirely wine-coloured outfit consisting of an ankle-length, heavy wool coat, which I wore for only a split-second from the house to the limo, a velvet corset, and a matching clutch that I made by covering a small cardboard box with leftover fabric and beads. To top it all off, I got my sister to put Manic Panic “rose” coloured streaks in my hair and painted all of my nails the same colour. Looking back at the photos a decade later, I can still feel the uncomfortable prickle of the unruly strings of upholstery bead trim that I lined my corset top with. // Angela Leung

Queen for a day

During the time of my prom, I was at the height of my eating disorder. Less than 96 pounds of flesh hung on my 5’5 frame, and I was constantly starving. While many girls at my school had bought dresses a year ahead, I only went shopping with my mom the month before.

We went to a few stores in the mall. Nothing pleased me.

Then I saw it—the tan dress, so light it was almost made of air, a back wrapped in thin lace, with matching capped sleeves and some lace trim at the bottom. They didn’t have size zero, which was my default size by then (the goal, finally accomplished). So instead I climbed into a slightly baggy size two, which hung a little off my hips. At the time, the dress was perfect: it covered my chest, my hips. I wasn’t comfortable exposing too much skin, but I didn’t want a floor-length gown either. It was $400. My mother bought it, the size two which ate at me all the way home, and I wore it with nude heels the day of my prom. Perhaps I was a little too pale—I was coming from a day of work, so I hadn’t gotten my hair or makeup done—perhaps the dress blended in too much. But I felt good. For the first time in a while, I felt good.

I even ate that day. // Sofie Mikhaylova

Feel like your prom experience needs a makeover? Join us this Saturday at WORN’s very own Secondhand Prom and make some new memories!

Silent Movie

Megan Wornette rocks a look a mime would love



What inspired this outfit?
Well, I’ve been looking for an excuse to wear this beret for a while now, and this is pretty much the perfect dress for it. It wasn’t a particularly cerebral decision.

Tell me about one of the items you are wearing.
This dress is the first thing I bought from Target last month! $25! And it breaks like all the fat lady rules – peplums, stripes, body con – so of course I love it. SUCK IT FAT LADY RULES.

What is the best book to read in this outfit?
The Night Circus, by Erin Morgenstern.

What style icon would wear this outfit?
If Marcel Marceau were a lady, he’d be all over it.

outfit credits // dress by Mossimo, beret vintage, sunglasses from Smart Set, shoes by Aetrex, earrings unknown but probably somewhere like Zellers cuz that’s how I roll.

What to Wear When Hot on the Trail

Whether solving crime or cracking codes, it's best to do it in style

Fashion has always been filled with mysteries: What is hiding behind Karl Lagerfeld’s sunglasses? How can there be more than 52 fashion weeks in a year? Lotion and denim—meant to be?

Then, there are some things we don’t even need to question. As long as there have been sleuths—whether in fact or fiction—there has been clothing to covet, be it elaborate disguises or the more traditional trench coats. We got our Wornettes to get to the bottom of the case in figuring out who the best-dressed detectives are.


Dr. Julia Ogden (CityTV/CBC’s Murdoch Mysteries)
As Murdoch Mysteries‘ token “New Woman,” Dr. Ogden is a doctor, early forensics specialist, and women’s health advocate. She is also intellectually and temperamentally a perfect match for the series protagonist, Detective William Murdoch, and their partnership is the heart of the show. Her style reflects her position as a woman in a world of men, and she is almost always wearing menswear inspired pieces like ties, vests, and separates. But as the show has progressed and her presence has become more accepted (and she has moved away from the autopsy table), her dress has grown softer and more feminine. In the season 5 finale, she sexed it up completely in a black and red, low cut, sleeveless, beaded and sequined ball gown, the perfect outfit for a woman who is about to leave her husband for another man in 1900. Intelligent, brave, and forward-thinking, she’s the woman I would want to be if I were alive in Victorian Toronto—heck, she’s the woman I want to be now. // Megan Patterson


Hercule Poirot (multiple Agatha Christie novels)
“The neatness of his attire was almost incredible,” Captain Arthur Hastings remarked about his old friend Hercule Poirot in The Mysterious Affair at Styles. “I believe a speck of dust would have caused him more pain than a bullet wound.” Useful, when one’s job is solving crimes.

Agatha Christie introduced her diminutive, fastidious, and arrogant detective in the ’20s. She couldn’t have known that the transplanted Belgian, with small mincing steps, would follow her the rest of her life. Poirot was laid to rest the same year as his creator, in 1975. By then, his three-piece suits, bowler hats, and patent leather shoes were ludicrously out of date. But it’s fitting that a character that Christie described as a “detestable, bombastic, tiresome, ego-centric little creep,” would stubbornly cling to his jazz age style in the era of punk.

Poirot’s most famous attribute was without a doubt his moustache—a small handlebar, always perfectly waxed. In some Poirot films, he’s even shown wearing a moustache-net while sleeping. When dressing actor David Suchet, the definitive Poirot from the BBC series, the costume designers tested 40 fake moustaches in order to find the most symmetrical one. For costumers, as well as detectives, details are of the utmost importance. // Max Mosher



Jessica Fletcher
(CBS’s Murder she Wrote)
It ain’t easy maintaining a sleepy east coast lifestyle while catching crooks on the regular in rural Maine, but Jessica Fletcher pulls it off with as much flair as guile. Whether she’s unearthing a crime at a Native American archaeological dig, dining with one of her countless nieces and nephews, or sleuthing with Magnum PI on a trip to Hawaii, she does so with an elegance that can only come with knowing that her night out will end up with her talking to the cops (seriously, does nobody question that wherever she goes, reckless murder tends to follow?). With clip-on earrings, jaunty hats, houndstooth jackets and a scarf collection that would earn jealous glares from the likes of Nancy Drew, her mix of belted, shoulder-padded mackintoshes and smart button-down vest combos offer up the best of nor’eastern fashion that makes us all want to curse, “clam dip!” // Whitney Wager


Carmen SanDiego
Where in the world is Carmen SanDiego? We never actually figured that out, but her tomato-red trench coat remains unmistakeable. Sandiego was the title outlaw of the 1980s children’s computer game where players scoured the globe looking for clues of the thief’s whereabouts. SanDiego wore the classic bank robber’s uniform of all black, topped off with a bright red floor-length trench coat and matching fedora, always poised for the getaway. It’s a testament to her stealthiness that she could remain perpetually untraceable while wearing some of the most noticeable clothes, earning her the apt nickname of “The Lady in Red.” Sure, unlike the other names on this list, SanDiego was more a crime starter than a crime solver, but her conspicuously coloured trench was the ultimate subversion of classic detective attire. // Isabel Slone


Mata Hari
Marilyn might have sung “Diamonds are a girls best friend,” but it could have easily been said by the French courtesan Mata Hari, who was executed during WWI for being a supposed double agent. Often seen lavished in exotic diamond head-pieces and decadent silks fit for a bold spy disguised as an Egyptian goddess, Mata Hari’s glamour possessed an intruding sexiness uncommon during the still reserved days of Edwardian Europe.

When Greta Garbo played her in the 1931 film Mata Hari, the velvets, the furs, and the intoxicating amount of bling undoubtedly became one of the strongest focal points in every scene; so exuberant are they that it puts every modern-day Kardashian’s luxury to shame. But it’s not the excess of luxe that makes Mata Hari a fashionable dream—with a hazardous history of prostitution, seduction, and espionage. It’s the way in which all her diamonds are threaded with dangerous mystery, intrigue, and two-facedness that allow her and her style to become the quintessential archetype for dicey femme fatale glamour. Even James Bond called her his first true love. // Paulina Kulacz

Lana Kane (FX’s Archer)
Archer is one of those cartoons in a post-Simpsons world in which you can’t let its animated facade fool you—this is not a show for kids. It constantly straddles the line between delightfully subversive and obnoxious bro-humor with its frustrating Don Draper-meets-James Bond protagonist, secret agent Sterling Archer. Lana Kane (Aisha Taylor) is Archer’s ex-girlfriend and coworker, her no-bullshit attitude providing him much needed foil. And though the way she is drawn recalls ridiculously sexist notions of female anatomy seen in many male-targeted comic books (seriously, her chest-waist-hips ratio makes Barbie look like a stick) she actually gets to fight crime wearing relatively sensible clothing. OK, her high-heeled boots are a little nuts (though impeccably badass), but she’s got a whole wardrobe of these turtleneck sweater dresses that she wears to the office that scream, “I Enjoy Being an Attractive Lady But Also it is Important That I am Comfortable While Doing Behind The Scenes Intel Work Yet if Need be I can Also Easily Kick Your Ass in This Skirt, Also: Check Out My Gun Holsters; I Have Two of Them.” If only my own knitwear could be so badass. // Anna Fitzpatrick


Harriet the Spy (1996 film adaptation of Harriet the Spy by Louise Fitzhugh)
Forget typical trench-coats and fedoras. Eleven year old Harriet M. Welsch does her best secret snooping in classic ’90s grade-school style. Solid tees are layered over long-sleeved stripes, jeans and hoodies are very baggy, and plaid flannel is never far out of sight. On duty, Harriet (played by Michelle Trachtenberg before she became an evil mastermind) wears a bright yellow raincoat and a matching utility belt (it holds up her massive jeans and carries vintage spy supplies); her ever-present “PRIVATE” notebook is tucked in the front of her jeans and binoculars hang around her neck. Harriet is always ready for action, whether she’s hiding in a rich lady’s dumbwaiter or hanging from her best friend’s window ledge. Most of the time she’s sticking to practical pieces in primary colours—except when she’s dancing to James Brown in an onion costume. // Stephanie Fereiro


Joan Watson (CBS’s Elementary)
Being TV’s first gender-swapped Watson wasn’t enough for Joan—she also had to have a pretty wicked sense of style. As a born and bred New Yorker, I suppose this only makes perfect sense. When we think of Dr. Watson from other adaptations of Sir Arthur Conan Doyle’s Sherlock Holmes stories, we typically think of someone very stuffy and buttoned up, and his style has always reflected that. Jane Watson on the other hand, exudes fresh breath of casual air, in her demeanor and her clothing. Her wardrobe is the exact opposite of the stuffy Victorian gentleman’s—flowy tops, leggings, perfect unstructured jackets, LOTS of New York-appropriate black, and miniskirts (girlfriend loves a miniskirt, and has on more than one occasion worn a leather one). Lucy Liu makes it all look effortless in that infuriating way she has, even the parts that involve dead bodies (which is, of course, most of them). // Megan Patterson

illustrations //
Jenn Woodall
To see more stylin’ detectin’, check out our Nancy Drew inspired editorial in issue 9 of WORN Fashion Journal.

The Oscar Red Carpet is Boring

Celebrities are boring. All hail the (mostly) non-celebrities!

The Oscars took place this past Sunday, and with it came the annual critique of what gowns were worn. But guys, this year was SO BORING. Perhaps even the most boring Oscars red carpet ever. Everyone played it pretty safe, and the biggest fashion controversy was whether Anne Hathaway’s last minute gown was showing her nipples or not (My consensus: Just darts guys. Though don’t even get me started on her styling choices, which were obviously meant for a different dress). Everyone wore white or nude or pastel colours, and there was not a swan dress to be seen. Nicole Kidman, Sandra Bullock, and Catherine Zeta-Jones all seemed to be protesting The Great Gatsby being pushed back to May (and therefore not eligible for this year’s Oscars) with their gowns, and that’s really the most interesting thing I can say about them. The night’s most notable gowns were by and large not the ones worn by the major celebs, or if they were, they were notable for reasons that were not sartorial at all. Here’s our best dressed list for the 2013 Oscars Red Carpet.


Jennifer Lawrence, Dior
This is definitely a gown that’s notable not for being particularly interesting or daring, but because of the moments it created. Because let’s face it, this looks like one of those dresses that is made out of toilet paper for charity, though I honestly would not put it past Jennifer Lawrence to actually do this. It was lampooned a bit for being too bridal, but this dress created some of the best moments in this year’s awards show—Father of the Bride jokes, the adorable pratfall when Jen won best actress and both Bradley Cooper and Hugh Jackman tried to save her, the hilarious press conference moments afterwards when she was asked about the fall. This dress was a real troublemaker, but Miss Lawrence took it all in stride and has cemented herself as my imaginary Hollywood best friend forever.


Salma Hayek, Alexander McQueen
Salma Hayek looks like the tiniest, chicest Bride of Frankenstein, and I mean that in the best possible way.


Melissa McCarthy, David Meister
I don’t really get why so many people were up in arms about this dress. I think it fits her perfectly, and I think it’s a much more modern looking than the standard princess-y gowns everyone else was wearing. People really seem to love getting a bug up their butt when the big girl wears anything remotely different or interesting (See: Adele at the Grammys. You’ll note Adele went back to her trademark black after that, le sigh). Also, Melissa McCarthy is awesome and can wear what she wants, as far as I’m concerned.


Samuel L. Jackson, Designer Unknown
Samuel L. Jackson wins best dressed man of the night in his burgundy velvet jacket, shiny grey silk(?) shirt, and brown pants and bowtie. Men of Hollywood please note: only Sam Jackson can pull this look off. You will look ridiculous. Trust.


Emmanuelle Riva, Lanvin
Oldest Oscar nominee Emmanuelle Riva did not win Best Actress this year, but she looks fabulous while doing so in her voluminous blue Lanvin. She wasn’t dressed like a single other person on the RC, and she clearly had fun with her gown, twirling and dancing like she didn’t have a care in the world. To me, that’s way more important than making some best dressed list any day. Plus you know she was the most comfortable woman in that entire ballroom.


Sunrise Coigney, Zero + Maria Cornejo
Sunrise Coigney is a former actress who is now best known as being Mark Ruffalo’s wife. This gown isn’t my style, but you can definitely tell it’s hers, and she owned it. The choice of an electric blue bag to accessorize with it was positively inspired for the Oscars. Again this isn’t a look that most people could pull off, but Sunrise is doing it effortlessly.


Mark Andrews, Designer Unknown
Second best dressed man on the RC was hands down Brave director Mark Andrews, who accessorized his traditional blue Scottish kilt with a teal sporran (that would be the bag one wears with the kilt).


Rachael Mwanza, Vlisco
Rachael Mwanza, a 16-year-old actress from the Republic of Congo who managed to get a last minute visa to attend the ceremonies because of her role in best Foreign Picture nominee Rebelle (War Witch), showed her African pride in a traditional Ankara print gown. The gown was designed by renowned dutch textile company Vlisco, who have been around since 1846 and are known for their bright and colourful printed fabrics and supporting young African fashion designers. Ankara prints are typically associated with West and Central Africa, and were traditionally worn for ceremonial purposes. The prints and designs vary from region to region, but all are made with a similar wax print fabric technique, which involves printing the fabric with a pattern made of melted wax. In recent years designers like Diane von Furstenberg have been using these prints, and it’s become something of a trend, with celebs like Solange, Beyonce, and even Anna Wintour seen sporting it.


Helena Bonham Carter, Vivienne Westwood
It’s something of a testament to how boring the Oscars have gotten that this is what Helena Bonham Carter wore. I mean, this is practically tame for her, and it’s definitely something she’s worn before. That said, it was still one of the stand outs on the red carpet, which I think says a lot. DON’T GIVE UP, HBC!! WE LOVE YOU AND NEED YOU TO BE YOUR CRAZY DIAMOND SELF AT ALL RED CARPET FUNCTIONS!!!! I DON’T KNOW WHAT I’M GOING TO DO WITH MYSELF IF THIS IS ALL YOU’RE SERVING UP NOW!!! I BEG YOU, FOR RED CARPET LOVERS EVERYWHERE, DON’T FALL INTO THE BORING TRAP!!