When we first moved into our new office in the historic George Brown House in Toronto, we liked to pretend that we had stumbled onto the set of Downton Abbey. Almost every detail of this 1876 home was lovingly captured in our issue 16 photoshoot, ”Living in Print.”
Wornette Chayonika Chandra puts the power in power clashing as she blends into and boldly contrasts the walls (and floor) of our new home.
video and text // Daniel Reis end animation // Barry Potter photography // Lisa Kannakko art direction // Serah-Marie McMahon and G. Stegelmann styling // Lydia Chan and Kaya-Marisa Meadows
“Growing up, I felt like I had to pick between something stylish and something I could actually wear. It would be nice to realize a future where retailers and the fashion industry stop forcing people to make that choice.” – jes sachse
How can fashion engage with disability? While we’ve recently seen a fair bit of progress regarding companies that accommodate wardrobes of folks of varying bodies and abilities, it’s not exactly a one-size-fits-all solution. Clothing is an incredibly personal and political choice, and no two sets of needs are exactly alike.
In our most recent issue, we had an in-depth chat with artist and activist jes sachse about how identifying as disabled and genderqueer collides with their love of fashion. We had a great conversation full of new ideas, the re-telling of experiences, and hard laughs. Beautiful photos were taken, and feet were tap-tapping away during the whole shoot.
It was a damn good time.
text // Jenna Danchuk video // Daniel Reis end animation // Barry Potter