100 Years Later: Remembering the Triangle Factory Fire


Image: Shirtwaist factory workers preparing for a strike, from the National Women’s History Museum

On March 25, 1911, 146 garment workers working in New York City – most of them young, immigrant women – lost their lives in a deadly fire. The rights of the workers were already undervalued in favour of increased production, and the overcrowded factory, unsanitary conditions and locked exits created a literal and violent death trap. The incident created an uproar concerning the dismal conditions under which these women were forced to work, and raised issues concerning labour and union rights still relevant today.

Cornell University: The Triangle Factory Fire
For those of you wishing to learn the basic facts concerning the fire, this website is an archive containing firsthand testimonials, newspaper articles, resources for further reading, and a detailed timeline of events, from the garment industry strikes of 1909 to the legal aftermath and protests.

The New York Times Tag: Triangle Shirtwaist Factory Fire
The Times has been building an excellent database of images, videos, and modern perspectives on lessons learned in the fire’s aftermath – and how far we have to go (see also Nancy Goldstein’s writing at the American Prospect).

American Experience: Triangle Fire
PBS has an hour long documentary that you can view in its entirety on their website. For those of you with access to HBO, they will be airing a documentary of their own several times within the next few weeks.

The Price of Fashion (1910)
While you are on the PBS website, be sure to check out this gallery of images taken in the years surrounding the fire, chronicling the working conditions that went into constructing the clothing seen in fashion magazines.

-Anna Fitzpatrick

Cute Girls Read WORN

Nothing warms our hearts better during these cold winter months than fan photos.


Meg Clark from Good Morning Midnight
(Psst: if you haven’t already read Meg’s brilliant essay on Why Fashion is Worth Blogging About, you should do so.)


Gabby Noone of Quirky and Co.

If anyone else out there has a WORN-lovin’ pic to share, email us at dearworn @ wornjournal.com!

- Anna Fitz

Crushing on Betty Felon


Betty Felon is an outfit blogger of superheroine proportions. When not photographing her own outfits and costumes, she documents her favourite Fashion Tips from Comic Strips. Plus, one time she made this really wicked Pokemon dress, forever securing a place in my heart.

If you were a superhero, what would your costume look like?
First and foremost, a domino mask is mandatory, as are bow-shaped Batarangs, since I wear bows with almost every one of my outfits. The rest of my dream costume would include a long-sleeved leotard, matching tights, patent combat boots, a streamlined utility belt, and an optional cape that falls mid-thigh. As for the color palette, I think that I’d stick with a more retro colourway — light aqua body, cherry red cape and mask, and lemon yellow accents.

Do you think there is a difference between costume and fashion?
I think it really depends on the role that fashion plays in your life. In a general sense, there really is no essential difference between costume and fashion when you recognize both as a means of visual identity. While costumes often seem a bit audacious and inappropriate in normal settings, you really have to consider the significance of a costume to a superhero or supervillain, serving as an iconic identifier; even after years of redesigns, most characters can be identified simply by their synonymous symbol, theme, or style. Similarly, civilian characters also have a symbol in the form of a signature look, which allows us to identify Lois Lane by her impeccable sense of business-casual or Jim Gordon by his browline glasses within even the most intricately dense splash page. In relation to the fashion world, I think that virtually everyone has a signature style or item that they wear that personalizes their daily ensembles.

However, I think that the similarities between costume and fashion are actually more apparent when heroes and villains assume their civilian identities. As civilians, they wear “normal” inconspicuous outfits to blend in with their surroundings, not unlike how less-than-super individuals will abide by a dress code at work or this season’s popular-yet-overdone fashion trends on a daily basis, usually for the primary purpose of fitting in. Their civilian wear in turn serves as their Average Man and Normal Woman costumes, giving them the power to hide their actual powers and identities.

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Book Review: Beyond Beauty

Three years after the demise of trailblazing 90s teen magazine Sassy, founding editor Jane Pratt published a book dedicated to exploring the role that beauty plays among teenage girls. Following the Sassy ethos, Beyond Beauty sets out to represent a vast range of modern teenagers (or rather, what was modern in 1997), interviewing 25 girls from different nationalities and backgrounds. Pratt does what she does best in giving a voice to young women. She presents each girl’s perspective without judgement, letting them tell their own stories.
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